MC20 - Cugino

MEDICI is conceived as a low chair with a comfortably reclined posture. Its generous dimension gives the chair an embracing confidence.

The design for the FACILE came about as a result of our quest to build a bridge between the product ranges in the Mattiazzi collection.

MC19 Fronda by Sam Hecht & Kim Colin

Designed by Foster + Partners in collaboration with the Italian manufacturer Mattiazzi, the chair brings together an honesty of materiality with a deep understanding of CNC technology to create a u

MC21 Leva by Foster + Partners

"Design is an unpredictable process. While designing the Zampa stools I never imagined we would add a chair and an armchair to the family.

Studio OE aimed to create a mobile extension of architecture that would seamlessly blend into the living space and that invites to define its use according to individual needs.

The collection Forcina by Leon Ransmeier comprises a chair, an armchair, and a stool with a steel frame, a wooden seat, and a backrest. The collection is rounded off with a table.

"The sustainable approach was to separate the materials and specify the components: wood, recycled feathers and fabric. Then I asked myself what comfort was, a backrest and a seat to sink into.

"The expression of craftsmanship here lies in the careful execution, the choice of wood, the finish, the perfection.

The concept and charm is a canvas sling suspended from a frame: the most simple construction and a surprisingly comfortable seating experience.

The chair comes in two styles: a simple, more upright armchair, and the more luxurious lounge version with an extra legrest.

The smooth geometry that joins the backrest, armrests and legs is the formal language of injection—molded plastic, and it’s surprising to see in wood.

<<As with many words, CHIARO has several definitions: clear, bright, and straightforward.>> Leon Ransmeier

This robust yet simple and refined furniture family was thought to be used in cafès and restaurants, which is why it offers great flexibility - both in use and in the variations proposed.

I observed that the power of the robot, the repetition of the machine and the skills of the craftsmen already have synchronised relationships at Mattiazzi, where each process is as carefully select