Yuzu

“With its strong, graphic presence and clear material choices, the Delta Vienna lounge chair offers a new interpretation in the spirit of Modernist design icons and creates a powerful counterpoint

Goya is a table with round and square, essential and simple lines, but with a great visual impact.

A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.

The collection is composed by small tables, available with circular or square tops, with a sturdy steel base contrasted with a soft rounded table edge, and by two service small tables, defined by t

The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.

arflex, to celebrate the great 52-years success of Marenco model, thought to “move it outside”.

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.

The simple image makes the sofa reassuring in its contemporaneity; Leenus is a modular seating system, that allows the adjustment to countless furnishing spaces.

Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.

Cradle's characteristic is based on the structure : a classical triangular construction, that is repeated several times around the models.

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.