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Vetrerie di Empoli - MARMO

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Thought by: VETRERIE DI EMPOLI srl

Category: Accessories

Thought by: VETRERIE DI EMPOLI srl

Category: Accessories

VETRERIE DI EMPOLI introduces «MARMO» collection.

In the Renaissance, the walls of the palazzos of the aristocracy were decorated with frescoes. The decoration began from the floor, with a baseboard that ran along the entire perimeter of the room, usually painted in the colors of the more precious marbles.

The technique represents a peak of artisanal excellence. Our latest collection, entirely handmade, features the colors of multicolored marbles, embellished by the addition of golden veins.

«Molti designer contemporanei amano creare associazioni non convenzionali tra materiale e oggetto - dice Franco Parentini titolare di VdE 1938 -. A noi è piaciuto associare la leggerezza del vetro con la solidità del marmo, una specie di ossimoro ma di grande suggestione. La nostra collezione marmo unisce l'eleganza al design, la tradizione alla modernità».

Marmo, Absolute Black and Gold, hand Painted

Vanity Set Marmo, Lapislazuli and Gold hand painted

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VETRERIE DI EMPOLI srl

VANITY MARMO

MARMO collection, a virtuoso application on glass with strokes that imitate the finest marble, including vivid touches of colored and gold veins, rigorously traced by hand.

VETRERIE DI EMPOLI srl

AQUA

AQUA collection shows vases, large fruit-bowls and decorative complements with etched and hand-painted decorations that give the effect of ice water or frost.

VETRERIE DI EMPOLI srl

OLIMPIA

A succession of multi-coloured concentric circles follows one another in a delicate transparency, finished by platinum rings, all hand painted like every collection.

VETRERIE DI EMPOLI srl

Gira e Rigira

That special swirling movement that is made when wine is poured, gently rotating the glass to analyse its characteristics, is revisited by this new vessel, patented by the proprietor of VdE, Franco

VETRERIE DI EMPOLI srl

CAPRICCIO

This pattern is sculpted in matt gold and platinum in the solid glass; the materic look of this collection reminds the “non-finite” (the figure struggling to&nbs