BRAND PAGE

RHO - THE HOUSE OF RHO

World-renowned manufacturer of the Finest Italian Classic Furniture and Boiseries. Every piece is a unique work of art, created by the expert hands of our craftsmen with precious materials and a story passed down through four generations.

The story of The House of Rho is born from the passion for classical art, in particular for period furniture. It develops within a deep culture and traditions that have been passed down for four generations, seeing as the company dates back to 1881 and is known globally by a selected clientele for its production of high-quality handcrafted furniture, boiseries and works of art.

It is a story made of ancient and new knowledge that is consolidated into one large family oriented towards the excellence in design and craftsmanship. The splendour of our unique creations is the result of the finest techniques of high-end ebanisterie together the art of carving, marqueterie, the hand rubbed finish and gilding along with the use of the most noble of materials: from the most valuable of woods, both in solid and veneer, to the most precious bronze ornaments, marbles and fabrics.

The clientele is majorly composed by Design Studios, Decorators, Architects, Collectors and wealthy Families on International basis.

Projects

Manor House in the England Country side — **MANOR HOUSE IN THE COUNTRY SIDE**

A library with mahogany boiserie showing Regency table #T157, pair of Russian armchairs #P172 and sofa two seats #P174 in a tiger silk velvet

www.thehouseofrho.com

The Magnificence of the Empire Style — **THE MAGNIFICENCE OF THE EMPIRE STYLE**

A salon with Empire desk #SC129 on a Neoclassic painting, Empire armchair #P184 and a pair of Medici vases over Empire pedestals #M304

www.thehouseofrho.com/EN/the-most-beautiful-interiors

The Masion on the shores of Lake Como — **MANSION ON THE LAKE**

A winter garden with Neoclassic table #T193 and Neoclassic armchairs #P238 on an abstract eight folders gilded screen #EL DORADO

www.thehouseofrho.com/EN/the-grand-collection

CONCOURS D'ÉLÉGANCE AU CHÂTEAU — **CONCOURS D' ÉLÉGANCE AU CHÂTEAU**

A Royal Castle for the Concourse d’ Élégance au Château, showing a pair of Empire armchairs #P184 between a Neoclassic statue over a pedestal

www.thehouseofrho.com/EN/concours-d-elegance-au-chateau

The purity of the Neoclassic Style — **THE PURITY OF THE NEOCLASSIC STYLE**

A foyer with Neoclassic console #CR41 showing a comprensive collection of accessories from our workshop and a pair of Renaissance armchairs #P35

www.thehouseofrho.com/EN/the-finest-craftsmanship

Hall of Fame at Palazzo — **HALL OF FAME AT PALAZZO**

A Baroque Palace with a pair of Russian neoclassic chest of drawers #C204

www.thehouseofrho.com/EN/hall-of-fame-at-palazzo

Sinfonie Classiche in Villa — **SINFONIE CLASSICHE IN VILLA**

An aristocratic Villa, showing a sofa two seats #P200 in a red teatro silk velvet, an Orientalism coffee table #M370 , a pair of Biedermier chairs #P144 and a Louis XVI armchair #P28

www.thehouseofrho.com/EN/sinfonie-classiche-in-villa

FLAGSHIP STORE

The Giuseppe Clemente Rho Art Center, a work of neoclassical taste wished for and conceived by Giuseppe Rho in the early seventies, stemmed from a desire to welcome a top-level international clientele and share and display the products originating in the workshop within a context of utmost elegance and sobriety.

The chief aim was to create a place where all our specimens could find their optimal expression, a place that was not just an “exhibition”, but a summary and survey of all our products, one capable of offering a full picture of the best our company has to offer.

The showroom is about 15 miles from the centre of Milan and from Lake Como, and is open by appointment only.

HQ AND FACTORY

THE FINEST CRAFTSMANSHIP

The factor that makes each piece of our company a unique and inimitable piece is passion, which is embodied in the skilled manual gestures profused by our craftsmen in each piece. The hands of our artists are our most precious asset. Our strength is to rely solely on these hands, both because no machine can compete with the human ability to shape and define, and because we believe that manual labour is the quintessence of the work itself.