Fleuron

Amongst Vincent van Gogh’s various paintings, there are a number that feature chairs.

Cristina Celestino designs a lounge collection with soft and harmonious shapes. The rounded volumes are lightened by the worked wood base, Billiani’s stylistic code.

The Edelweiss collection of chairs, stools and lounge chairs is the result of Philippe Bestenheider’s desire to come to terms with wood.

Fratina is inspired by those classic chairs with rush seats.

Archetype-A is a wooden chair designed by Mario Alessiani that celebrates the company’s origins and know-how. The design is as simple as possible. Nothing more than four legs, a seat and a back.

Harry’s is a collection naturally suited to the outdoors.

The Puccio collection started life based on milking stools, perfectly designless and designer-free seating which, thanks to its functionality, has survived unchanged through the centuries. 

A solid and reassuring chair with a back that embraces, ending with two decisive cuts inspired by the points of a star. 

The Cristina Celestino designed Raquette collection pays homage to the ancient technique of intertwining wooden slats.

Cristina Celestino’s soft and enveloping touch exalts Billiani’s materials and know-how with pure colours, corners that turn into delicate curves, and bulbous leg-ends. Variously sized

Frisée is a collection that combines the solidity of wood with an ironic and joyful frivolity.

The wooden Doll chair, Emilio Nanni’s first commissioned design for Billiani, expresses essentiality with grace and softness.

Timènt is Billiani's first fabric collection.

Flow is a short compendium of the history of the chair – a perfect combination of Italian tradition and the Scandinavian aesthetic of the 1950s and 1960s.

The Corolla tables maintain the soft and harmonious lines of the main Corolla seating collection.

 Soft lines and simple geometry describe the contours of the Veretta chair, characterized by the feature ring in curved solid beechwood that surrounds the seat and houses the backrest.