Cubi Low Tables

The Giorgio sideboard is a complementary companion for the table. An understated sideboard with clean lines that gradually reveals itself when explored.

A strikingly eye-catching armchair distinctively shaped by subtle, curved lines. An ultralight structure welcomes the body and encourages elaxation, almost making you feel as if you are floating.

A range of stainless steel mirrors exuding originality and sheer personality.

The idea for the Antelope sofa was inspired by Antelope Canyon, which was formed by the wind and rain eroding the sandstone thousands of years ago.

Steel frames padded with resilient polyurethane foam. Overlapping curved backs which provide two different seating depths for better comfort.

Two-or three-seater linear upholstered sofa and compositions with footrest at the right and left ends, and supple, fluent shapes.

The Table top is shaped and the edge has many layers; the foot is in chrome-plated metal.

The idea behind stylos was to create a soft, comfy armchair that evelops you in a 'hug'.

Asymmetric armchair with one arm on either side, or with two arms. Headrest in rigid quilted Alcantara with upholstered cylinder for maxim um comfort is standard.

A strikingly eye-catching armchair distinctively shaped by subtle, curved lines. An ultralight structure welcomes the body and encourages elaxation, almost making you feel as if you are floating.

Different rounded shapes and sizes conjure up a highly evocative world of heights and curves. 

Designed by Arch. Giuseppe Viganò - Studio Viganò

This sofa features an extraordinarily comfortable high backrest created by a metal frame that encompasses the sides, back and base of the sofa.

The sinuously shaped metal structure is dressed in a leather cover.

This upholstered armchair has a soft and sinuous shape, with a swivel base in chrome metal. Upholstered in fabrics or leathers from our range.

Small enveloping armchair with a metal base, upholstered with fabric or leather from our collection.

Quentin is designed freestyle. Super-taut lines, curves and cuts control irrepressible fluid forms, alternating opposing introflexed areas with other rotundly expanding spaces.