Bombo

Inspired by the simple design and multifunctionality of traditional alpine chairs, this seating perfectly showcases the curiosity of both Magis and Barber Osgerby towards new material development a

Part chair, part stool, part sculpture, this multifaceted object interprets the fundamentals of design in an intelligent, ironic way, offering a product that adds character and versatility to a div

Designed by BrogliatoTraverso, this small rechargeable lamp reflects the duo’s modus operandi: simplify and design essential objects, minimising details and maximising functionality to offer unexpe

Developed by Magis in 1990, and redesigned in 2003, XZ3 is an easy and essential, but equally versatile table.

The starting point of this project was a specific manufacturing method: cast iron. It is one of the oldest ways of using ferrous metals.

First made almost 10 years ago with the aim of creating an unconventional extending table, Big Will once again marks a new chapter in Magis' creativity.

Baguette is a rectangular table consisting of two elements: a heavy top place on four solid, but thin aluminium legs.

Surrounded by its refined, consistent light, which makes it suitable for any setting, Lost is a neutral lamp with a strong identity, whose distinctive feature is essentialism.

The mule has for years been the emblem of our company: that mule has a name: Ettore (Hector), like the Homeric hero, the invincible warrior that only a demigod could defeat.

Plato designed by Jasper Morrison is a rigorous, minimalist chair that is also versatile and sturdy, and well-suited for both indoor and outdoor settings.

Sam Son is an easy armchair with a hint of a car toon character. Supported on four stilt legs, the armchair features a softly suspended seat shell between a giant,

Modular through and through: The new Costume sofa system from Stefan Diez is pragmatic, transformable and protects resources – it’s the easy-going companion we wish for today.

When Magis started to work on this collection with Ronan & Erwan Bouroullec, the idea was to work with an ancient fabrication process and give it a new visual language.

From 1978 onwards, the “Proust armchair” by Alessandro Mendinwas produced in many versions, using different colours, materials and dimensions, and was even made of ceramics and bronze.

Steelwood Chair is the meeting point between two traditional materials, steel plate and solid beech wood, combined in an assemblage of remarkable technical and formal excellence.

Troy is a concept of remarkable simplicity and comfort that gives shape to practically endless possible variations, playing on the use of different materials, combinations and seat types.