Ginza

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.

Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.

Casablanca, designed in 1981 by Ettore Sottsass is a hybrid between a wardrobe and a bookcase, made in wood and decorative laminate with an unusual form.

Created by Michele De Lucchi in 1981, at the time of the first exhibition of the Memphis group, Riviera is a chair that surprises us with its playful form: its base is composed of two blue crossed

Roma, with its massive, solid and squared form, created by Marco Zanini in 1986, is an armchair produced in reinforced fiberglass and polyester with an iridescent finish, available in green or blac

A floor lamp in coated metal with a cast iron base, Treetops was designed by Ettore Sottsass in 1981. The lamp is made in colored metal, with a halogen bulb at the end, for adjustable lighting.

A bookcase in wood faced with decorative laminate, designed by Ettore Sottsass in 1981, Suvretta has unique shelves, because the angles of all the rows are different.

With a yellow dominant and contrasting colors, the Cavalieri lamp designed in 1981 by Ettore Sottsass stands out for its emphatic image based on the stacking of simple geometric forms. 

Who says the legs of a table have to all be equal? Certainly not Peter Shire, who created Brazil in 1981, in the early days of the Memphis group.

Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.

A tame sea monster, or a set of fishing rods that intersect with colorful geometric forms, Oceanic has undoubtedly been created to light unconventional interiors.

The absolute Memphis icon, Carlton – designed by Ettore Sottsass in 1981 – fully represents the programmatic intentions of the group: the desire to break the rules of good design with an irreverent

Bay, designed by Ettore Sottsass in 1983, concretely sums up the Memphis philosophy: it is bold, iconic and elegant.

Created in lacquered wood by George J.

Designed in 1981 by Michele De Lucchi, Kristall is an eccentric service table in lacquered wood, clad in decorative laminate with parts in coated metal.