Hyatt

A tame sea monster, or a set of fishing rods that intersect with colorful geometric forms, Oceanic has undoubtedly been created to light unconventional interiors.

Created in lacquered wood by George J.

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

Designed by Ettore Sottsass in 1984, Mimosa is a low wooden table faced in decorative laminate, where colored blocks intersect in a perpendicular arrangement to form a “giant” colored cubical playt

The quality of the craftsmanship, together with the bright colors and extravagant forms, are the distinctive features of Arizona, designed by Nathalie du Pasquier in 1983.

Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.

A floor lamp in coated metal with a cast iron base, Treetops was designed by Ettore Sottsass in 1981. The lamp is made in colored metal, with a halogen bulb at the end, for adjustable lighting.

Bay, designed by Ettore Sottsass in 1983, concretely sums up the Memphis philosophy: it is bold, iconic and elegant.

Who says the legs of a table have to all be equal? Certainly not Peter Shire, who created Brazil in 1981, in the early days of the Memphis group.

Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.

Designed by Ettore Sottsass in 1981, Ashoka is a table lamp with a heat-coated metal structure, featuring a bold combination of bright colors: green, yellow, blue, pink, combined with white.

Invented in 1982 by Peter Shire, Bel Air has an asymmetrical profile and vibrant color combinations.

The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.

Casablanca, designed in 1981 by Ettore Sottsass is a hybrid between a wardrobe and a bookcase, made in wood and decorative laminate with an unusual form.

Cucumber is an eccentric ceramic vase designed by Martine Bedin in 1985.

A project by Michele De Lucchi for Memphis in 1984, the small table Polar reflects the distinctive features of Memphis design.