Kristall

A floor lamp in coated metal with a cast iron base, Treetops was designed by Ettore Sottsass in 1981. The lamp is made in colored metal, with a halogen bulb at the end, for adjustable lighting.

Cucumber is an eccentric ceramic vase designed by Martine Bedin in 1985.

Invented in 1982 by Peter Shire, Bel Air has an asymmetrical profile and vibrant color combinations.

Who says the legs of a table have to all be equal? Certainly not Peter Shire, who created Brazil in 1981, in the early days of the Memphis group.

Carefully crafted in lacquered wood, faced in decorative laminate with chromium-plated metal parts, Ginza, designed by Masanori Umeda in 1982, is a multifunctional object that can be used as a book

Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.

Designed by Ettore Sottsass in 1981, Ashoka is a table lamp with a heat-coated metal structure, featuring a bold combination of bright colors: green, yellow, blue, pink, combined with white.

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

Created in lacquered wood by George J.

A project by Michele De Lucchi for Memphis in 1984, the small table Polar reflects the distinctive features of Memphis design.

A surprising combination of metal and wood is seen in Hyatt, the iconic low table created by Ettore Sottsass in 1984.

With a yellow dominant and contrasting colors, the Cavalieri lamp designed in 1981 by Ettore Sottsass stands out for its emphatic image based on the stacking of simple geometric forms. 

The quality of the craftsmanship, together with the bright colors and extravagant forms, are the distinctive features of Arizona, designed by Nathalie du Pasquier in 1983.

Designed by Ettore Sottsass in 1984, Mimosa is a low wooden table faced in decorative laminate, where colored blocks intersect in a perpendicular arrangement to form a “giant” colored cubical playt

The First chair, composed of a few parts, has been conceived in 1983 by Michele De Lucchi to be easily assembled and replicated: produced in a small series, it reinterprets the perfect combination

Bay, designed by Ettore Sottsass in 1983, concretely sums up the Memphis philosophy: it is bold, iconic and elegant.